The Insider : Malcolm Cowley and the Triumph of American Literature
Book Details
Format
Hardback or Cased Book
ISBN-10
0525522050
ISBN-13
9780525522058
Publisher
Penguin Group USA
Imprint
Penguin Pr
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 4th, 2025
Print length
512 Pages
Product Classification:
Autobiography: literary
Ksh 6,300.00
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A delightful and majestic reckoning with the ascent of American fiction in the 20th century through the prism of the little-known man who had an astonishing amount to do with it
Malcolm Cowley is little known today, but the American literary canon would look very different without him. A prototypical ?man of letters? of his generation Harvard, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris after the war he became one of the few truly influential critics of the 1920's and 30's, along with his close New Republic colleague Edmund Wilson, his place in literary history secure for his early support of Hemingway, Fitzgerald and their set, and indeed for framing this group in generational terms in the first place.
Most people are lucky to be part of a single game-changing era in their careers; for Cowley, it happened again and again. After emerging from the political fray of the 30's badly damaged, he retreated to more of a behind-the-scenes role as a taste-maker whose import has awaited Gerald Howard to be brought into full view. The process of literary canon formation is a murky business, and Cowley was a prime mover in it for the better part of four decades, through The Lost Generation, The Beat Generation, and The Counterculture of the 60s. Without him, the odds would be much longer that the names William Faulkner, Jack Kerouac, and Ken Kesey, to name just three, would have ever echoed.
In The Insider, Gerald Howard gives an intimate accounting of the fever graph of a fascinating and multifaceted career in the literary trade that uses that career to tell a much bigger story of how American literature took the course that it did from the 1920's to the 1960's. It's a story of an art form, and an industry, and a country, experiencing wrenching change, and the people who made a home in the storm and in no small part shaped it. Howard's own career as a literary weathermaker is justly acclaimed, and he has brought all of his gifts of head and heart to bear in crafting this extraordinary book. It's a gift to book lovers, and a major contribution to the cultural history of this country.
Malcolm Cowley is little known today, but the American literary canon would look very different without him. A prototypical ?man of letters? of his generation Harvard, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris after the war he became one of the few truly influential critics of the 1920's and 30's, along with his close New Republic colleague Edmund Wilson, his place in literary history secure for his early support of Hemingway, Fitzgerald and their set, and indeed for framing this group in generational terms in the first place.
Most people are lucky to be part of a single game-changing era in their careers; for Cowley, it happened again and again. After emerging from the political fray of the 30's badly damaged, he retreated to more of a behind-the-scenes role as a taste-maker whose import has awaited Gerald Howard to be brought into full view. The process of literary canon formation is a murky business, and Cowley was a prime mover in it for the better part of four decades, through The Lost Generation, The Beat Generation, and The Counterculture of the 60s. Without him, the odds would be much longer that the names William Faulkner, Jack Kerouac, and Ken Kesey, to name just three, would have ever echoed.
In The Insider, Gerald Howard gives an intimate accounting of the fever graph of a fascinating and multifaceted career in the literary trade that uses that career to tell a much bigger story of how American literature took the course that it did from the 1920's to the 1960's. It's a story of an art form, and an industry, and a country, experiencing wrenching change, and the people who made a home in the storm and in no small part shaped it. Howard's own career as a literary weathermaker is justly acclaimed, and he has brought all of his gifts of head and heart to bear in crafting this extraordinary book. It's a gift to book lovers, and a major contribution to the cultural history of this country.
A delightful and majestic reckoning with the ascent of American fiction in the 20th century through the prism of the little-known man who had an astonishing amount to do with it
Malcolm Cowley is little known today, but the American literary canon would look very different without him. A prototypical man of letters of his generationHarvard, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris after the warhe became one of the few truly influential critics of the 1920s and 30s, along with his close New Republic colleague Edmund Wilson, his place in literary history secure for his early support of Hemingway, Fitzgerald and their set, and indeed for framing this group in generational terms in the first place.
Most people are lucky to be part of a single game-changing era in their careers; for Cowley, it happened again and again. After emerging from the political fray of the 30s badly damaged, he retreated to more of a behind-the-scenes role as a taste-maker whose import has awaited Gerald Howard to be brought into full view. The process of literary canon formation is a murky business, and Cowley was a prime mover in it for the better part of four decades, through The Lost Generation, The Beat Generation, and The Counterculture of the 60s. Without him, the odds would be much longer that the names William Faulkner, Jack Kerouac, and Ken Kesey, to name just three, would have ever echoed.
In The Insider, Gerald Howard gives an intimate accounting of the fever graph of a fascinating and multifaceted career in the literary trade that uses that career to tell a much bigger story of how American literature took the course that it did from the 1920s to the 1960s. Its a story of an art form, and an industry, and a country, experiencing wrenching change, and the people who made a home in the storm and in no small part shaped it. Howards own career as a literary weathermaker is justly acclaimed, and he has brought all of his gifts of head and heart to bear in crafting this extraordinary book. Its a gift to book lovers, and a major contribution to the cultural history of this country.
Malcolm Cowley is little known today, but the American literary canon would look very different without him. A prototypical man of letters of his generationHarvard, a volunteer in the French ambulance corps in World War I, a rite of passage in Paris after the warhe became one of the few truly influential critics of the 1920s and 30s, along with his close New Republic colleague Edmund Wilson, his place in literary history secure for his early support of Hemingway, Fitzgerald and their set, and indeed for framing this group in generational terms in the first place.
Most people are lucky to be part of a single game-changing era in their careers; for Cowley, it happened again and again. After emerging from the political fray of the 30s badly damaged, he retreated to more of a behind-the-scenes role as a taste-maker whose import has awaited Gerald Howard to be brought into full view. The process of literary canon formation is a murky business, and Cowley was a prime mover in it for the better part of four decades, through The Lost Generation, The Beat Generation, and The Counterculture of the 60s. Without him, the odds would be much longer that the names William Faulkner, Jack Kerouac, and Ken Kesey, to name just three, would have ever echoed.
In The Insider, Gerald Howard gives an intimate accounting of the fever graph of a fascinating and multifaceted career in the literary trade that uses that career to tell a much bigger story of how American literature took the course that it did from the 1920s to the 1960s. Its a story of an art form, and an industry, and a country, experiencing wrenching change, and the people who made a home in the storm and in no small part shaped it. Howards own career as a literary weathermaker is justly acclaimed, and he has brought all of his gifts of head and heart to bear in crafting this extraordinary book. Its a gift to book lovers, and a major contribution to the cultural history of this country.
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