The Invention of a People : Heidegger and Deleuze on Art and the Political
by
Janae Sholtz
Book Details
Format
Hardback or Cased Book
ISBN-10
0748685359
ISBN-13
9780748685356
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 30th, 2015
Print length
304 Pages
Weight
596 grams
Dimensions
24.20 x 16.20 x 2.20 cms
Ksh 18,900.00
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Presents a multi layered reading of the intersections between two influential figures in contemporary philosophy. This title features a discussion of Heidegger and Deleuze within a larger political and philosophical context of post war thinkers. It explores the influence of and relation between Heidegger's thought and Deleuze's novelty.
A multi-layered reading of the intersections between two of the most influential figures in contemporary philosophy
The Invention of a People explores the residual relation between Heidegger''s thought and Deleuze''s novelty, focusing on the parallels between their emphasis on the connection of earth, art and a people-to-come.
Contextualising the problematic of a people-to-come within a larger political and philosophical context of post-war thinkers of community such as Bataille, Blanchot and Nancy, Sholtz offers a creative approach to the work of these two thinkers. Deleuze''s project is therefore cast as both an extension and radicalisation of the Heideggerian themes of immanence, ontological difference and the transformative potential of art.
Presenting interstitial readings of Paul Klee, Kostos Axelos, Arthur Rimbaud, the 1960''s art collective Fluxus and artist Brian Fridge, she invents creative encounters which act as provocations from the outside, opening new lines of flight and previously unthought terrain. Ultimately, she develops a diagrammatic image of a people-to-come that is constantly in flux and can answer the demands of the untimely future.
The Invention of a People explores the residual relation between Heidegger''s thought and Deleuze''s novelty, focusing on the parallels between their emphasis on the connection of earth, art and a people-to-come.
Contextualising the problematic of a people-to-come within a larger political and philosophical context of post-war thinkers of community such as Bataille, Blanchot and Nancy, Sholtz offers a creative approach to the work of these two thinkers. Deleuze''s project is therefore cast as both an extension and radicalisation of the Heideggerian themes of immanence, ontological difference and the transformative potential of art.
Presenting interstitial readings of Paul Klee, Kostos Axelos, Arthur Rimbaud, the 1960''s art collective Fluxus and artist Brian Fridge, she invents creative encounters which act as provocations from the outside, opening new lines of flight and previously unthought terrain. Ultimately, she develops a diagrammatic image of a people-to-come that is constantly in flux and can answer the demands of the untimely future.
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