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The King and Commoner Tradition : Carnivalesque Politics in Medieval and Early Modern Literature

By: (Author) Mark Truesdale

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Ksh 28,800.00

Format: Hardback or Cased Book

ISBN-10: 0815364768

ISBN-13: 9780815364764

Series: Outlaws in Literature, History, and Culture

Publisher: Taylor & Francis Inc

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Feb 7th, 2018

Print length: 236 Pages

Weight: 472 grams

Dimensions (height x width x thickness): 23.70 x 15.90 x 2.00 cms

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This is the first detailed study of the late medieval and early modern King and Commoner literature: a tradition whose cultural influence extends from Robin Hood to Shakespearean drama. This book explores the morphing political character of these tales of disguised kings and disgruntled, poaching commoners, amid carnivalesque feasts and anti-noble complaints.

King and Commoner tales were hugely popular across the late medieval and early modern periods, their cultural influence extending from Robin Hood ballads to Shakespearean national histories. This study represents the first detailed exploration of this rich and fascinating literary tradition, tracing its development across deeply politicized fifteenth-century comic tales and early modern ballads.

The medieval King and Commoner tales depict an incognito king becoming lost in the forest and encountering a disgruntled commoner who complains of class oppression and poaches the king’s deer. This is an upside-down world of tricksters, violence, and politicized feasting that critiques and deconstructs medieval hierarchy. The commoners of these tales utilize the inversion of the medieval carnival, crowning themselves as liminal mock kings in the forest while threatening to rend and devour a body politic that would oppress them. These tales are complex and ambiguous, reimagining the socio-political upheaval of the late medieval period in sophisticated ruminations on class relations. By contrast, the early modern ballads and chapbooks see the tradition undergo a conservative metamorphosis. Suppressing its more radical elements amid a celebration of proto-panoptical kings, the tradition remerges as royalist propaganda in which the king watches his thankful subjects through the keyhole.


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