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The Latin American Art Song
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The Latin American Art Song : Sounds of the Imagined Nations

Book Details

Format Paperback / Softback
ISBN-10 1498581641
ISBN-13 9781498581646
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books
Country of Manufacture US
Country of Publication GB
Publication Date Aug 14th, 2020
Print length 202 Pages
Weight 298 grams
Dimensions 15.30 x 22.80 x 1.80 cms
Ksh 7,500.00
Manufactured on Demand 0 in stock

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This study of the Latin American art song and its development in the context of musical nationalism shows how the song is a mirror in which the processes of conformation to Latin American national identity are reflected.
Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.

In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated.

The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.
Taking as a thread the concept of national identity, this book elucidates the sound transformations that have taken place in the world of the Latin American art song since its appearance in the late nineteenth century to the present day. The book focuses in the art songs of Brazil, Argentina, Cuba, Venezuela, Bolivia, Perú, and Colombia. The book addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.

In songs, spaces of representation and cathartic tools thought, language and music have been at the service of some interests, fulfilling specific functions in the construction of the nation. In them, we observe that the construction of identity is a continuous, constant and changing process in which different stories are superimposed. Seen this way, songs are historical texts where social interactions are reflected, and the past, the present and the future are constantly negotiated.

The book also addresses the subject of performance practice of the Latin American song and ends with a proposal for its interpretation.

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