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The Man Who Stole the Gods
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The Man Who Stole the Gods : A True Story of War, Obsession, and the World's Biggest Art Heist

Book Details

Format Hardback or Cased Book
ISBN-10 0241827930
ISBN-13 9780241827932
Publisher Penguin Books Ltd
Imprint Penguin Business
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 4th, 2026
Print length 432 Pages
Weight 672 grams
Dimensions 24.20 x 16.50 x 3.90 cms
Ksh 3,600.00
Werezi Extended Catalogue Delivery in 14 days 164 copies in stock

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'An adventure to rival David Grann’s Lost City of Z, and a riveting exposé of the plunder that still fills the world’s top art museums' Zeke Faux, author or Number Go Up'Immaculately researched and beautifully written, a gripping real-life exposé of the ugly deals that underpin the trade in beautiful objects' Oliver Bullough, author of MoneylandAn unbelievable table of greed, looted treasures and stolen history in the world's biggest art heist. In the shattered aftermath of Cambodia’s civil war, temples that had stood for centuries were found ransacked - sacred sculptures hacked from pedestals, towering statues of Hindu gods and priceless relics of the Khmer Empire vanished. At the centre of this vast plunder, British expatriate Douglas Latchford, whose decades-long obsession fuelled one of the most audacious cultural thefts of modern times. From the Killing Fields of the Khmer Rouge to the marble galleries of New York and London and the private collections of the rich and famous, The Man Who Stole the Gods unravels a breathtaking story of power, greed and corruption, and asks what you take from a nation when you steal its past. Drawing on years of investigation and exclusive access to the stories’ key players – from temple looters and traffickers to the investigators and archaeologists fighting to bring masterpieces home – award-winning writer Matthew Campbell reveals how the treasures of one of the world’s greatest civilizations were stolen, sold and finally found. From the author of Dead in the Water, called 'a masterpiece' by the New York Times

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