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The Materials of Early Theatre: Sources, Images, and Performance
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The Materials of Early Theatre: Sources, Images, and Performance : Shifting Paradigms in Early English Drama Studies

Book Details

Format Hardback or Cased Book
ISBN-10 1472488083
ISBN-13 9781472488084
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 4th, 2017
Print length 468 Pages
Weight 832 grams
Dimensions 16.50 x 24.10 x 3.20 cms
Ksh 27,900.00
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The essays selected for this volume are chosen to reflect the important and intersecting ways in which, over the last forty years, Meg Twycross has shifted paradigms for people reading early English religious drama. The focus of Meg Twycross’s research has been on performance in its many aspects, and this volume chooses four of the most important strands of her work - the York plays; new ways of understanding acting and performance in late medieval theatre; why scenes are staged in the ways they are, verbally and by extrapolation visually; and the attention paid to wider contexts of medieval theatre - concentrating especially on essays that are not easily available today.

Collected Studies CS 1068

The essays selected for this volume are chosen to reflect the important and intersecting ways in which over the last forty years Meg Twycross has shifted paradigms for people reading early English religious drama. The focus of Meg Twycross’s research has been on performance in its many aspects, and this volume chooses four of the most important strands of her work - the York plays; new ways of understanding acting and performance in late medieval theatre, particularly in Britain and across Europe; why scenes are staged in the ways they are, verbally and by extrapolation visually, by close reading of texts against the background of medieval theology; and the attention paid to wider contexts of medieval theatre - concentrating especially on essays that are not easily available today.

These thematic strands are reflective of Meg Twycross’s major contribution to the field. They also represent those areas from her wider work which will have most utility and value for those, whether students or senior specialists in areas beyond early drama, who are looking for ways into understanding English medieval plays. The crucial work that has been done here has opened new perspectives on late medieval theatre, and will allow new generations to begin their study and research from further along the road.


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