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The Memoirs of Alice Guy Blache
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The Memoirs of Alice Guy Blache

Book Details

Format Paperback / Softback
ISBN-10 1538165503
ISBN-13 9781538165508
Publisher Bloomsbury Publishing Plc
Imprint Rowman & Littlefield Publishers
Country of Manufacture US
Country of Publication GB
Publication Date Mar 15th, 2022
Print length 210 Pages
Weight 286 grams
Dimensions 13.90 x 21.50 x 1.70 cms
Product Classification: Biography: arts & entertainment
Ksh 4,700.00
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This fascinating memoir of influential French filmmaker Alice Guy Blaché provides original, first-hand insight into one of the industry’s most important pioneers. Guy Blaché was not only the world's first female director, producing and directing hundreds of films, but in 1896, she became the first of either sex to direct a fictional film.

The fascinating memoir of influential French filmmaker Alice Guy Blaché, one of the industry’s most significant pioneers and a trailblazer for female directors.

Alice Guy Blaché (1873-1968) is a unique pioneer of the motion picture, being not only a female filmmaker but also one of the first, if not the first, to make a narrative film. Her career spanned from 1894, when she became secretary to the legendary Léon Gaumont, through 1920, working in both her native France and the United States. In all, she was responsible for approximately 1,000 films, possibly more than any other director or producer.

The Memoirs of Alice Guy Blaché was first published in 1976, and to a large extent led to her rediscovery after decades of relative obscurity. Guy Blaché writes of her beginnings in the motion picture industry, her direction not only of silent films but also some of the earliest synchronized sound motion pictures, her marriage and journey to the United States, the founding of her own studio in New Jersey, her fame, and the sad journey into obscurity in the 1920s. Her story reveals both the opportunities and the ultimate rejection facing a woman director in the early years of the twentieth century.

These first-hand and original memoirs are enhanced with a complete filmography, an epilogue by her daughter Simone, a brief biography of her director husband, Herbert Blaché, a remembrance by feminist actress/writer Madame Olga Petrova, and a sampling of contemporary articles on the director. Through it all, Alice Guy Blaché’s personal charm, good humor, and modesty shines.


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