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The Mulatta and the Politics of Race
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The Mulatta and the Politics of Race

Book Details

Format Paperback / Softback
ISBN-10 1604735546
ISBN-13 9781604735543
Publisher University Press of Mississippi
Imprint University Press of Mississippi
Country of Manufacture US
Country of Publication GB
Publication Date Mar 30th, 2010
Print length 272 Pages
Weight 333 grams
Dimensions 22.80 x 15.20 x 1.50 cms
Ksh 4,950.00
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From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice. The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the colour line.
The Mulatta and the Politics of Raceby Teresa C. ZackodnikFrom abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice. The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line. In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency. Before the Civil War white female abolitionists created the image of the "tragic mulatta," caught between races, rejected by all. African American women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States. The mulatta aided writers in critiquing the "New Negro Renaissance" and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.The Mulatta and the Politics of Race focuses on the anti-slavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee. Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.Teresa C. Zackodnik is a professor of English at the University of Alberta.

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