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The Music Trade in Georgian England
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The Music Trade in Georgian England

Book Details

Format Paperback / Softback
ISBN-10 1138249033
ISBN-13 9781138249035
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 9th, 2016
Print length 584 Pages
Weight 870 grams
Dimensions 20.00 x 39.00 x 4.10 cms
Product Classification: Classical music (c 1750 to c 1830)
Ksh 11,200.00
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Recent research has enabled aspects of the workings of the music trade in Georgian England to be reconstructed. Examined here are the activities of the music seller Longman & Broderip, and the firm''s two successors, together with those of their rival, John Bland. A review of the development of musical copyright in this period is included, together with an investigation into the efforts of Charles 3rd Earl Stanhope to transform the ways in which music was printed and recorded, and Georg Jacob Vollweiler''s endeavours to introduce music lithography into England.
In contrast to today''s music industry, whose principal products are recorded songs sold to customers round the world, the music trade in Georgian England was based upon London firms that published and sold printed music and manufactured and sold instruments on which this music could be played. The destruction of business records and other primary sources has hampered investigation of this trade, but recent research into legal proceedings, apprenticeship registers, surviving correspondence and other archived documentation has enabled aspects of its workings to be reconstructed. The first part of the book deals with Longman & Broderip, arguably the foremost English music seller in the late eighteenth century, and the firm''s two successors - Broderip & Wilkinson and Muzio Clementi''s variously styled partnerships - who carried on after Longman & Broderip''s assets were divided in 1798. The next part shows how a rival music seller, John Bland, and his successors, used textual and thematic catalogues to advertise their publications. This is followed by a comprehensive review of the development of musical copyright in this period, a report of efforts by a leading inventor, Charles 3rd Earl Stanhope, to transform the ways in which music was printed and recorded, and a study of Georg Jacob Vollweiler''s endeavour to introduce music lithography into England. The book should appeal not only to music historians but also to readers interested in English business history, publishing history and legal history between 1714 and 1830.

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