The New Neapolitan Cinema

The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema.

`This superbly researched volume provides a wealth of information on the recent renaissance of filmmaking in Naples, considered in its broader cultural context. Not only does the author build a persuasive analysis of this body of films, but he also offers crucial insights into the conditions of their production.''

Aine O''Healy, Loyola Marymount University

Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.

In this first study in English, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement''s relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a comprehensive re-examination of Neapolitan identity.