The Old Brewery Bay : A Leacockian Tale

A personal account of the misadventures that preceded the opening of the Leacock home to the public in 1958.

Here we have the personal account of the misadventures that preceded the opening to the public of the Leacock home in 1958.

Forty years ago, in October 1954, a committee was formed, chaired by Pete McGarvey, to acquire and preserve Stephen Leacock’s summer home, known as The Old Brewery Bay. Four years later a golden key opened the front door of the home, allowing Leacock fans to pay homage to the humorist in a setting he had prized above every other. As the years have passed, appreciation of Leacock’s genius has grown and today the Leacock Museum is open year-round to visitors from all parts of the globe.

The Old Brewery Bay is a Leacockian yarn full of ironies, the greatest one being that the salvation of Leacock’s home was accomplished not by a national campaign involving governments, philanthropists, McGill alumni, and foundations (all of whom were approached in a spirit of urgency and all of whom backed away), but by a gang of naive and stubborn Orillians, using old-fashioned political moxie. Leacock would have loved that - his Mariposans showing the big sophisticated world how to get things done.

Here we have the personal account of the misadventures that preceded the opening to the public of the Leacock home in 1958.

Forty years ago, in October 1954, a committee was formed, chaired by Pete McGarvey, to acquire and preserve Stephen Leacock''s summer home, known as The Old Brewery Bay. Four years later a golden key opened the front door of the home, allowing Leacock fans to pay homage to the humorist in a setting he had prized above every other. As the years have passed, appreciation of Leacock''s genius has grown and today the Leacock Museum is open year-round to visitors from all parts of the globe.

The Old Brewery Bay is a Leacockian yarn full of ironies, the greatest one being that the salvation of Leacock''s home was accomplished not by a national campaign involving governments, philanthropists, McGill alumni, and foundations (all of whom were approached in a spirit of urgency and all of whom backed away), but by a gang of naive and stubborn Orillians, using old-fashioned political moxie. Leacock would have loved that - his Mariposans showing the big sophisticated world how to get things done.