The Opposite of Desire : Sex and Pleasure in the Modernist Novel
by
Tonya Krouse
Book Details
Format
Hardback or Cased Book
ISBN-10
0739123386
ISBN-13
9780739123386
Publisher
Bloomsbury Publishing Plc
Imprint
Lexington Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 16th, 2008
Print length
194 Pages
Weight
460 grams
Dimensions
24.00 x 16.30 x 2.10 cms
Product Classification:
Literature: history & criticismGender studies, gender groups
Ksh 18,350.00
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In The Opposite of Desire, Tonya Krouse argues that explicit depictions of sex and sexuality operate as central sites of modernist aesthetic experimentation. In order to explore the aesthetic repercussions of these scenes in the novels of Virginia Woolf, D.H. Lawrence, and James Joyce, Krouse resists the common critical approach of reading such representations through theories of desire, obscenity, or pornography. Instead, she examines these depictions in terms of "the opposite of desire," or pleasure, and this approach allows Krouse to historicize these authors' preoccupations with entering into discourses on sex and sexuality. Examining explicit representations of sex and sexuality in modernist novels, Krouse asserts that these scenes provide a lens through which to examine modernist aesthetic interests as well as the centrality of issues surrounding sex, sexuality and gender in the modernist period. Approaching scenes of sex and sexuality with the aid of Michel Foucault's theories about sexual discourses, The Opposite of Desire thoroughly examines modernist attempts to put pleasure into representation.
In The Opposite of Desire, Tonya Krouse argues that explicit depictions of sex and sexuality operate as central sites of modernist aesthetic experimentation. In order to explore the aesthetic repercussions of these scenes in the novels of Virginia Woolf, D.H. Lawrence, and James Joyce, Krouse resists the common critical approach of reading such representations through theories of desire, obscenity, or pornography. Instead, she examines these depictions in terms of "the opposite of desire," or pleasure, and this approach allows Krouse to historicize these authors'' preoccupations with entering into discourses on sex and sexuality. Examining explicit representations of sex and sexuality in modernist novels, Krouse asserts that these scenes provide a lens through which to examine modernist aesthetic interests as well as the centrality of issues surrounding sex, sexuality and gender in the modernist period. Approaching scenes of sex and sexuality with the aid of Michel Foucault''s theories about sexual discourses, The Opposite of Desire thoroughly examines modernist attempts to put pleasure into representation.
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