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The Oxford English Literary History: Volume 13: 1948-2000: The Internationalization of English Literature
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The Oxford English Literary History: Volume 13: 1948-2000: The Internationalization of English Literature

Book Details

Format Hardback or Cased Book
ISBN-10 019818428X
ISBN-13 9780198184287
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Feb 26th, 2004
Print length 402 Pages
Weight 666 grams
Dimensions 22.40 x 14.50 x 2.50 cms
Ksh 24,700.00
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Discusses literature written by those who have chosen to make England their home since 1948. Ranging through Black and Asian British prose, poetry and drama, and writers including V S Naipaul, Salman Rushdie, and Zadie Smith, the author reveals the development of the literature from writing about immigration to becoming English.
In the future, what will ''English Literary History'' mean? A literary history of England, or one with much looser boundaries, defined only by a communality of language, not by location or history? In this, the latest volume in the Oxford English Literary History, Bruce King discusses the literature written by those who have chosen to make England their home since 1948. With decolonization following World War II, and the growth of large immigrant communities in England, came a wave of colonial, postcolonial, and immigrant writers whose entry onto the British cultural landscape forces us to consider what it is to be British, English, or national now that England is multiracial and part of a global economy.King addresses these new trends in English literature and the questions they raise in the first wide-ranging and comprehensive account of immigrant literature set in a social context. Ranging through Black and Asian British prose, poetry and drama, and writers including V. S. Naipaul, Salman Rushdie, Hanif Kureishi, and Zadie Smith, King reveals the development of the literature from writing about immigration to becoming English. Now that the literature of England includes Sri Lankans, Egyptians, and British Nigerians, does this mean that we can no longer talk of the English nation as a cultural unit? King concludes persuasively that it does not. We have not seen the demise of national cultures, but rather, a new, accomplished, and socially significant body of writing in England is influenced by the interaction between foreign cultures and British traditions. This bold and challenging account of British culture will shape debate for future generations.

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