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The Oxyrhynchus Papyri Vol. LXXXIII
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The Oxyrhynchus Papyri Vol. LXXXIII

Book Details

Format Hardback or Cased Book
ISBN-10 0856982318
ISBN-13 9780856982316
Publisher Egypt Exploration Society
Imprint Egypt Exploration Society
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 30th, 2018
Print length 230 Pages
Weight 956 grams
Dimensions 19.70 x 26.00 x 2.70 cms
Ksh 16,300.00
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Volume LXXXIII of the Oxyrhynchus Papyri continues our publication of biblical texts, including what is only the second Egyptian witness to the Epistle of Philemon as well as further early witnesses to the text of Mark and Luke, and an amateur copy of excerpts from Ezekiel’s Exagoge
Volume LXXXIII of the Oxyrhynchus Papyri continues our publication of biblical texts, including what is only the second Egyptian witness to the Epistle of Philemon as well as further early witnesses to the text of Mark and Luke, and an amateur copy of excerpts from Ezekiel''s Exagoge. Other sections offer new fragments from two popular genres: trials from the Acta Alexandrinorum, notably the trial of the former Prefect Titianus before Hadrian (an event sensational enough to reach the Historia Augusta); and adventures from the Greek Novel, including the Crimean narrative of Calligone and the Amazons. There is also a glimpse of the anonymous copyists to whom we owe our texts, practising the various graphic styles from which their customers could choose. Other documents contribute a mass of detail to the social and economic history of Roman and Byzantine Egypt, such as an official letter about the tax-grain destined to supply Rome; a tax-receipt that attests a Jewish community at Oxyrhynchus in the late fourth century; and, quite an extraordinary object, part of a ceremonial painted with a laurel wreath and a Latin inscription that celebrates the twentieth anniversary of some fourth-century emperor. The final section of the volume contains art: a fine pen-and-ink drawing of a rampant goat, and seven sketches on a single sheet, including a cockerel and a peacock, a wild boar, and a unicorn. As the Artemidorus papyrus has renewed discussion of drawing as an art in the Greek world, with some finding its own spread of drawings so striking as to suggest forgery, the new examples from Oxyrhynchus now demonstrate comparable technique and similar subject-matter in papyri of undoubted authenticity.

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