The People of the Book and the Camera : Photography in the Hebrew Novel
by
Ofra Amihay
Book Details
Format
Paperback / Softback
Book Series
Judaic Traditions in Literature, Music, and Art
ISBN-10
0815637314
ISBN-13
9780815637318
Publisher
Syracuse University Press
Imprint
Syracuse University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 30th, 2022
Print length
304 Pages
Weight
482 grams
Dimensions
15.30 x 23.00 x 2.10 cms
Ksh 4,900.00
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Offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography - both as a textual element and through the inclusion of actual images - Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function.
Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography—both as a textual element and through the inclusion of actual images— Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans.
Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature.
Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature.
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