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The Poetics of Visuality
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The Poetics of Visuality : Ekphrasis, Material Agency, and the Visual Imagination in Biblical Antiquity

Book Details

Format Hardback or Cased Book
ISBN-10 316163344X
ISBN-13 9783161633447
Publisher Mohr Siebeck
Imprint Mohr Siebeck
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 14th, 2024
Print length 294 Pages
Weight 590 grams
Ksh 22,900.00
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Justin J. White explores the nature of images in ancient Israel through a reconceptualization of the relationship between image and text. He proposes that in ancient Israel, texts evoked images as a core part of their rhetoric. Rather than conceptualizing texts and images as ontologically or functionally distinct media, he argues that both media are mixed media even while neither medium is reducible to the other. In order to make this argument, he focuses on the visual aspects of textual rhetoric—what he terms "the poetics of visuality." He builds his argument across three text-specific axes of visual rhetoric: ekphrasis, the visual imagination and material agency. He makes the claim that each of these three axes are endemic to Israelite literature, and mutually contribute to the formation of a robust ontology of visual representation in ancient Israel.
Justin J. White explores the nature of images in ancient Israel through a reconceptualization of the relationship between image and text. He proposes that in ancient Israel, texts evoked images as a core part of their rhetoric. Rather than conceptualizing texts and images as ontologically or functionally distinct media, he argues that both media are mixed media even while neither medium is reducible to the other. In order to make this argument, he focuses on the visual aspects of textual rhetoric-what he terms "the poetics of visuality." He builds his argument across three text-specific axes of visual rhetoric: ekphrasis, the visual imagination, and material agency. He makes the claim that each of these three axes are endemic to Israelite literature, and mutually contribute to the formation of a robust ontology of visual representation in ancient Israel.

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