The Sensible World and the World of Expression : Course Notes from the College De France, 1953
Book Details
Format
Paperback / Softback
ISBN-10
0810141426
ISBN-13
9780810141421
Publisher
Northwestern University Press
Imprint
Northwestern University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Feb 15th, 2020
Print length
248 Pages
Weight
426 grams
Dimensions
15.30 x 23.00 x 2.10 cms
Product Classification:
Phenomenology & ExistentialismPhenomenology and Existentialism
Ksh 4,850.00
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The Sensible World and the World of Expression was a course of lectures that Merleau-Ponty gave at the College de France in 1952. The publication and translation of Merleau-Ponty's notes from this course provide an exceptional view into the evolution of his thought at an important point in his career.
The Sensible World and the World of Expression was a course of lectures that Merleau-Ponty gave at the College de France after his election to the chair of philosophy in 1952. The publication and translation of Merleau-Ponty's notes from this course provide an exceptional view into the evolution of his thought at an important point in his career.
In these notes, we see that Merleau-Ponty's consideration of the problem of the perception of movement leads him to make a self-critical return to Phenomenology of Perception in order to rethink the perceptual encounter with the sensible world as essentially expressive, and hence to revise his understanding of the body schema accordingly in terms of praxical motor possibilities. Sketching out an embodied dialectic of expressive praxis that would link perception with art, language, and other cultural and intersubjective phenomena, up to and including truth, Merleau-Ponty's notes for these lectures thus afford an exciting glimpse of how he aspired to overcome the impasse of ontological dualism.
Situated midway between Phenomenology of Perception and The Visible and the Invisible, these notes mark a juncture of crucial importance with regard to Merleau-Ponty's later efforts to work out the ontological underpinnings of phenomenology in terms of a new dialectical conception of nature and history.
In these notes, we see that Merleau-Ponty's consideration of the problem of the perception of movement leads him to make a self-critical return to Phenomenology of Perception in order to rethink the perceptual encounter with the sensible world as essentially expressive, and hence to revise his understanding of the body schema accordingly in terms of praxical motor possibilities. Sketching out an embodied dialectic of expressive praxis that would link perception with art, language, and other cultural and intersubjective phenomena, up to and including truth, Merleau-Ponty's notes for these lectures thus afford an exciting glimpse of how he aspired to overcome the impasse of ontological dualism.
Situated midway between Phenomenology of Perception and The Visible and the Invisible, these notes mark a juncture of crucial importance with regard to Merleau-Ponty's later efforts to work out the ontological underpinnings of phenomenology in terms of a new dialectical conception of nature and history.
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