The Sound of Welsh Patagonia : Performance, Subjectivity and Music in Y Wladfa, Patagonia, Argentina
by
Lucy Trotter
Book Details
Format
Paperback / Softback
ISBN-10
1837722196
ISBN-13
9781837722198
Publisher
University of Wales Press
Imprint
University of Wales Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 15th, 2025
Print length
272 Pages
Weight
332 grams
Dimensions
21.60 x 13.90 x 1.80 cms
Ksh 4,500.00
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This book draws on data gathered during eighteen months of ethnographic fieldwork in the Chubut Province of Patagonia, Argentina. It focuses on the formation of Welsh subjectivity through sight and sound, seeking to unpack the multiple and multisensory ways in which identity is constructed in this context.
An ethnographic study of the Welsh-Patagonians that live in the settlement of Y Wladfa.
In 1865, a group of 153 Welsh settlers emigrated to Argentina, following an offer from the Argentine government of one hundred square miles on which to live, with the hope of creating a little Wales away from Wales, free from the influence of the English. The Sound of Welsh Patagonia explores the historical and present-day implications of this emigration through an ethnographic account of how and why Welshness is created, sustained, and performed in the Chubut Province of Patagonia, Southern Argentina.
The monograph is based on eighteen months of ethnographic fieldwork in the village of Gaiman and surrounding areas with a community of Welsh Patagonians who live in the Chubut Province. Drawing on data gathered from in-depth participant observation and interviews, it argues that the individual and collective subjectivity (of both the Welsh self and the broader community as Welsh) was performatively constituted in the settler colony through the dynamics of seeing and being seen, and through the dynamics of hearing and being heard. In making this argument, The Sound of Welsh Patagonia analyses a series of ethnographic encounters to consider the usefulness and limitations of concepts that have been developed to theorize the self, such as subjectivity, subjectivization, performance, performativity, and self-cultivation.
In 1865, a group of 153 Welsh settlers emigrated to Argentina, following an offer from the Argentine government of one hundred square miles on which to live, with the hope of creating a little Wales away from Wales, free from the influence of the English. The Sound of Welsh Patagonia explores the historical and present-day implications of this emigration through an ethnographic account of how and why Welshness is created, sustained, and performed in the Chubut Province of Patagonia, Southern Argentina.
The monograph is based on eighteen months of ethnographic fieldwork in the village of Gaiman and surrounding areas with a community of Welsh Patagonians who live in the Chubut Province. Drawing on data gathered from in-depth participant observation and interviews, it argues that the individual and collective subjectivity (of both the Welsh self and the broader community as Welsh) was performatively constituted in the settler colony through the dynamics of seeing and being seen, and through the dynamics of hearing and being heard. In making this argument, The Sound of Welsh Patagonia analyses a series of ethnographic encounters to consider the usefulness and limitations of concepts that have been developed to theorize the self, such as subjectivity, subjectivization, performance, performativity, and self-cultivation.
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