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The Souths in Her – Black Women Writers and Choreographers and the Poetics of Transmutation
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The Souths in Her – Black Women Writers and Choreographers and the Poetics of Transmutation : Black Women Writers and Choreographers and the Poetics of Transmutation

Book Details

Format Paperback / Softback
ISBN-10 0231219687
ISBN-13 9780231219686
Publisher Columbia University Press
Imprint Columbia University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jan 13th, 2026
Print length 272 Pages
Weight 398 grams
Dimensions 22.80 x 15.20 x 1.80 cms
Ksh 5,400.00
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Nicole M. Morris Johnson analyzes the intertwined relationship between movement and writing in the works of Zora Neale Hurston, Katherine Dunham, Dianne McIntyre, Maryse Condé, and Ntozake Shange, among others, showing how unexpected encounters with unfamiliar traditions and creative visions of multiple Souths catalyzed formal experimentation.
Since the Middle Passage, the intellectual and physical freedom of Black women in the United States and the Caribbean has been constrained. Yet Black women writers, artists, choreographers, and performers have contested pervasive political, cultural, and discursive silencing by drawing on the traditions and creative visions of multiple Souths: the Southern United States and the Caribbean, as well as Africa. In The Souths in Her—a phrase borrowed from Ntozake Shange—Nicole M. Morris Johnson shows how key Black women artists transformed the enclosing narrative frames imposed on them, developing new forms of creative expression informed by the lived experiences and submerged histories of women across the Africana southern world. She analyzes the intertwined relationship between movement and writing in the works of Zora Neale Hurston, Katherine Dunham, Dianne McIntyre, Maryse Condé, and Shange, among others. Morris Johnson demonstrates that although the central role of motion reinforced perceptions of primitivity that relegated Black women and the South to a space outside modernity, it was in fact crucial to their formal innovations. For these writers and choreographers, unexpected encounters with unfamiliar traditions and creative visions of multiple Souths catalyzed formal experimentation and movements for liberation. Considering the violence routinely inflicted on Black women alongside their artistic innovations, this book reveals a transmuted South that is rich in techniques for weaving liberatory works. Illuminating Black women’s singular contributions to Black modernity, The Souths in Her offers new frames for understanding their embodied and textual creative expression.

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