Book Details
Format
Hardback or Cased Book
ISBN-10
1433121492
ISBN-13
9781433121494
Edition
New
Publisher
Peter Lang Publishing Inc
Imprint
Peter Lang Publishing Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Sep 29th, 2014
Print length
241 Pages
Weight
454 grams
Dimensions
23.30 x 21.30 x 1.80 cms
Product Classification:
Films, cinemaCommunication studies
Ksh 13,250.00
Manufactured on Demand
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The Spike Lee Enigma is an exploration of ideology and political economy in the films and career of one of America's most controversial filmmakers. This book incorporates multiple perspectives, ranging from media effects theories, critical cultural studies, and the political economy of media, to semiotics and ideological, auteurist, and feminist approaches to film theory and analysis.
The Spike Lee Enigma is an exploration of ideology and political economy in the films and career of one of America''s most controversial filmmakers. Since the 1980s Spike Lee has created numerous films that are socially challenging, some would even say radical, while simultaneously maintaining a collaborative relationship with mainstream Hollywood and the global advertising industry. Lee, thus, seemingly represents an enigma – operating on the margins of both hegemonic and counter-hegemonic cultural production.
This book incorporates multiple perspectives, ranging from media effects theories, critical cultural studies, and the political economy of media, to semiotics and ideological, auteurist, and feminist approaches to film theory and analysis. Early chapters provide a clear explanation of these theoretical and methodological approaches while later chapters explore several of Lee’s films in great depth. In a social environment where popular culture has supplanted education and religion as a primary force of socialization and enculturation, this book demonstrates why a popular filmmaker such as Spike Lee must be taken seriously, while introducing readers to ways of viewing, reading, and listening that will allow them to achieve a new understanding of the mediated texts they encounter on a daily basis.
This book incorporates multiple perspectives, ranging from media effects theories, critical cultural studies, and the political economy of media, to semiotics and ideological, auteurist, and feminist approaches to film theory and analysis. Early chapters provide a clear explanation of these theoretical and methodological approaches while later chapters explore several of Lee’s films in great depth. In a social environment where popular culture has supplanted education and religion as a primary force of socialization and enculturation, this book demonstrates why a popular filmmaker such as Spike Lee must be taken seriously, while introducing readers to ways of viewing, reading, and listening that will allow them to achieve a new understanding of the mediated texts they encounter on a daily basis.
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