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The Spirit of England
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The Spirit of England : Selected Essays of Stephen Medcalf

Book Details

Format Hardback or Cased Book
ISBN-10 1906540373
ISBN-13 9781906540371
Publisher Taylor & Francis Ltd
Imprint Legenda
Country of Manufacture GB
Country of Publication GB
Publication Date Aug 1st, 2009
Print length 308 Pages
Weight 756 grams
Dimensions 25.70 x 17.90 x 2.10 cms
Ksh 27,900.00
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The Spirit of England: Selected Essays of Stephen Medcalf
Stephen Medcalf (1936-2007) was a dedicated University teacher all his life, but in the wider world he was an essayist, in the best traditional sense of that calling: a writer not of books but of substantial and justly celebrated essays, widely read in the Times Literary Supplement and elsewhere. Medcalf''s abiding question to the world was the Psalmist''s: `What is man that thou art mindful of him?'' His was a Blakean sense of English-ness, far from the chocolate-box painting or the television adaptation, and for him the strongest writers were those keenly aware of their roots in the classical, Anglo-Saxon or Celtic past. By gathering together Medcalf''s most important work, this volume shows the coherence of his thinking, and of the elusive, complicated literary heritage he celebrated, one which acknowledges the Greco-Roman strain, the Christian strain, the down-to-earth humour and the gentle irony.

Fourteen substantial essays cover Virgil, the Bible, the English translation of Alfred, Piers Plowman, the `half-alien culture'' of the high Middle Ages, Chaucer''s contemporary Thomas Usk, Shakespeare''s images of resurrection, Horace and Kipling jux-taposed, G. K. Chesterton, T. S. Eliot''s use of Ovid, P. G. Wodehouse, William Golding, John Betjeman, Geoffrey Hill and other writers. The book concludes with perhaps Medcalf''s most personal essay of all: his account of finding a baby in a phone box on a cold Spring night, which first appeared in the Guardian Christmas Supplement in 2002.

Legenda is a joint imprint of the Modern Humanities Research Association and Maney Publishing. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities.

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