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The Suspense Thriller
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The Suspense Thriller : Films in the Shadow of Alfred Hitchcock

Book Details

Format Paperback / Softback
ISBN-10 0786412089
ISBN-13 9780786412082
Publisher McFarland & Co Inc
Imprint McFarland & Co Inc
Country of Manufacture US
Country of Publication GB
Publication Date Sep 20th, 2001
Print length 360 Pages
Weight 490 grams
Dimensions 15.20 x 22.80 x 2.30 cms
Product Classification: Film theory & criticism
Ksh 5,700.00
Werezi Extended Catalogue 0 in stock

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Charles Derry's study of the suspense thriller genre explains why human beings enjoy being scared in a vicarious sense. He shows how suspense is intimately connected with the psychological concept of the thrill.

This book is a comprehensive study of one of the most popular genres in the cinema. From a perspective sympathetic to popular culture, this study analyzes a large number of primarily American and European films by a variety of distinguished directors, including Alfred Hitchcock, Claude Chabrol, John Frankenheimer, Michelangelo Antonioni, and Costa-Gavras. Indispensable to anyone interested in understanding how suspense thrillers work and what they mean, this book provides insightful analysis of hundreds of memorable films, while at the same time working as a virtual how-to manual for anyone trying to write a Hitchcock-like thriller.

The first section of the book is primarily theoretical. It offers a bibliographical survey and then explains why we so profoundly enjoy these suspenseful films of murder and intrigue. A chapter on "Thrills: or, How Objects and Empty Spaces Compete to Threaten Us" explores the psychological concept of the thrill and relates it to the psyche of the spectator. To what extent does the suspense thriller represent a symbolic and vicarious experience of danger? A chapter on "Suspense That Makes the Spectator Take a Breath" explores the crucial narrative concept of suspense and relates it to the psychological mechanisms of anxiety incited in the spectator. Why do we like to be scared? A final theoretical chapter offers a dynamic definition of the suspense thriller derived in part from Edgar Allan Poe and based primarily on content analysis.

The second section of the book is more of an historical survey and devotes one chapter to each of the suspense thriller''s primary sub-genres. These chapters provide close readings of more than 150 major films and detailed analysis of the suspense thriller''s conventions, themes, and recurrent iconography. Sub-genres include The Postman Always Rings Twice, Body Heat, The Manchurian Candidate, The China Syndrome, Missing, The Passenger, Spellbound, Obsession, Marathon Man and Blue Velvet. A final chapter explores areas for further research and offers concluding insights.


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