The Theatre of Enda Walsh
New
Book Details
Format
Paperback / Softback
Book Series
Carysfort Press Ltd.
ISBN-10
1788747879
ISBN-13
9781788747875
Edition
New
Publisher
Peter Lang International Academic Publishers
Imprint
Peter Lang International Academic Publishers
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 14th, 2019
Print length
254 Pages
Weight
377 grams
Product Classification:
Individual actors & performersLiterary studies: plays & playwrights
Ksh 3,850.00
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This important publication is the first collection of articles on the work of the internationally recognised award-winning theatre of Enda Walsh. In a wide range of essays the book explores Walsh’s radical theatrical imagination, its development, contexts and its ability to flourish across genres from theatre to film to musical. The volume aims to give a multitude of perspectives on Walsh’s work with articles and interviews from leading theatre practitioners on the direction, production and designing of Walsh’s theatre considered alongside critical essays by both emerging and established international scholars. Written in an accessible style it will be of interest to all enthusiasts of contemporary theatre and performance.
(Professor Brian Singleton, Trinity College, Dublin)
(Professor Brian Singleton, Trinity College, Dublin)
This important publication is the first collection of articles on the work of the internationally recognised award-winning theatre of Enda Walsh. In a wide range of essays the book explores Walsh’s radical theatrical imagination, its development, contexts and its ability to flourish across genres from theatre to film to musical. The volume aims to give a multitude of perspectives on Walsh’s work with articles and interviews from leading theatre practitioners on the direction, production and designing of Walsh’s theatre considered alongside critical essays by both emerging and established international scholars. Written in an accessible style it will be of interest to all enthusiasts of contemporary theatre and performance. (Professor Brian Singleton, Trinity College, Dublin)
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