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The Theatre of Thomas Ostermeier
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The Theatre of Thomas Ostermeier

Book Details

Format Paperback / Softback
ISBN-10 1138914479
ISBN-13 9781138914476
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date May 9th, 2016
Print length 292 Pages
Weight 470 grams
Dimensions 23.10 x 14.80 x 1.40 cms
Product Classification: Theatre direction & production
Ksh 8,150.00
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Thomas Ostermeier is the most internationally recognised German theatre director of the present. With this book, he presents his directorial method for the first time. The Theatre of Thomas Ostermeier provides a toolkit for understanding and enacting the strategies of his advanced contemporary approach to staging dramatic texts. In addition, the book includes:

  • Ostermeier’s seminal essays, lectures and manifestos translated into English for the first time.
  • Over 140 photos from the archive of Arno Declair, who has documented Ostermeier’s work at the Schaubühne Berlin for many years, and by others.
  • In-depth ‘casebook’ studies of two of his productions: Ibsen’s An Enemy of the People (2012) and Shakespeare’s Richard III (2015)
  • Contributions from Ostermeier’s actors and his closest collaborators to show how his principles are put into practice.

An extraordinary, richly illustrated insight into Ostermeier’s working methods, this volume will be of interest to practitioners and scholars of contemporary European theatre alike.

Thomas Ostermeier is the most internationally recognised German theatre director of the present. With this book, he presents his directorial method for the first time. The Theatre of Thomas Ostermeier provides a toolkit for understanding and enacting the strategies of his advanced contemporary approach to staging dramatic texts. In addition, the book includes:

  • Ostermeier’s seminal essays, lectures and manifestos translated into English for the first time.
  • Over 140 photos from the archive of Arno Declair, who has documented Ostermeier’s work at the Schaubühne Berlin for many years, and by others.
  • In-depth ‘casebook’ studies of two of his productions: Ibsen’s An Enemy of the People (2012) and Shakespeare’s Richard III (2015)
  • Contributions from Ostermeier’s actors and his closest collaborators to show how his principles are put into practice.

An extraordinary, richly illustrated insight into Ostermeier’s working methods, this volume will be of interest to practitioners and scholars of contemporary European theatre alike.


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