The Visual Culture of Baptism in the Middle Ages : Essays on Medieval Fonts, Settings and Beliefs
Book Details
Format
Paperback / Softback
ISBN-10
1138256005
ISBN-13
9781138256002
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Nov 11th, 2016
Print length
256 Pages
Weight
392 grams
Dimensions
23.30 x 15.80 x 1.70 cms
Product Classification:
The arts: general issuesHistory of art: Byzantine & Medieval art c 500 CE to c 1400
Ksh 10,100.00
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This collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This book shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
Under the guidance of the leading experts on baptismal fonts and the co-directors of the Baptisteria Sacra Index, the worlds only iconographical inventory of baptismal fonts, a research project at the University of Toronto, this collection of essays by a group of European and North American scholars extends the traditional boundaries associated with the study of baptismal fonts. The visual is privileged, whether it is in the metaphysical, literary or empirical realms of scholarship, offering a rich understanding of the powerful role of baptism played in medieval and renaissance society. In the quest for a holistic understanding of the vessels, the settings and contexts, the rituals and the spiritual significance of the font, itself, the contributors have turned to a range of sources, folkloric tales, baptismal records, liturgical sermons, civic records, literary accounts, hagiographies and historical documents about local families, communities and ecclesiastical developments. Previous scholarship about baptismal fonts has often focused on the purely stylistic, iconographical and liturgical perspectives, using primarily ecclesiastical and liturgical documentation. This collection of essays shows the wealth of new information that baptismal fonts can offer when scholars adopt interdisciplinary approaches and engage in readings that question traditional assumptions inherited in scholarship.
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