The Voice of the People : Hamish Henderson and Scottish Cultural Politics
by
Corey Gibson
Book Details
Format
Hardback or Cased Book
ISBN-10
0748696571
ISBN-13
9780748696574
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 16th, 2015
Print length
240 Pages
Weight
500 grams
Dimensions
24.30 x 16.30 x 1.90 cms
Product Classification:
British & Irish history20th century history: c 1900 to c 2000Cultural studies
Ksh 18,000.00
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Though Henderson is a major figure in Scottish cultural history, his reputation is largely maintained in anecdote and song. This study describes the ambitious moral-intellectual programme to reintegrate the artist in society at the heart of all of his endeavors.
How might the alienation of the artist in modern Scotland be overcome? How do you incite a popular folk revival? Can a poet truly speak with the voice of the people? And what happens to the writer who rejects print culture in favour of
becoming Anon? The life and times of polymath, scholar, author and folk-hero, Hamish Henderson (1919-2002), poses, and helps us to answer, these questions. This book examines his life-long commitment to finding a form of
artistic expression suitable for post-war Europe. Though Henderson is a major figure in Scottish cultural history, his reputation is largely maintained through anecdotes and radical folk songs. This study explores his ideas in their
intellectual, cultural and political contexts. It describes how all of his works in war poetry, song collection, folklore scholarship, folksong revivalism, literary translation, and vicious public debates reflect this desire to see the artist fully reintegrated in society.
becoming Anon? The life and times of polymath, scholar, author and folk-hero, Hamish Henderson (1919-2002), poses, and helps us to answer, these questions. This book examines his life-long commitment to finding a form of
artistic expression suitable for post-war Europe. Though Henderson is a major figure in Scottish cultural history, his reputation is largely maintained through anecdotes and radical folk songs. This study explores his ideas in their
intellectual, cultural and political contexts. It describes how all of his works in war poetry, song collection, folklore scholarship, folksong revivalism, literary translation, and vicious public debates reflect this desire to see the artist fully reintegrated in society.
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