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They Say There Are No Spirits
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They Say There Are No Spirits

Book Details

Format Paperback / Softback
ISBN-10 898932703Y
ISBN-13 9798989327034
Publisher UnionDocs Center for Documentary Art
Imprint UnionDocs Center for Documentary Art
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 20th, 2024
Weight 140 grams
Dimensions 16.90 x 26.50 x 0.70 cms
Product Classification: Films, cinemaGay & Lesbian studies
Ksh 2,150.00
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“Since 1995 Theo Jean Cuthand has produced roughly thirty-five video works, o@en informed by a queer D.I.Y. tradiIon, and o@en deparIng from the first person. In these works, he frequently posiIons himself with extensive “I am ...” statements, yet these statements aren’t meant to construct a staIc idenIty—they hold specific Ies with a kind of non-linear Ime that is in contact with Indigenous ancestry as much as it responds to quesIons of locality. In regard to intersecIng vectors of oppression, it is usually presumed that the various aspects of a person’s idenIty are stable and that their specific intersecIons can be analyzed along solid markers of belonging such as class, race, gender, ability, and so forth. These noIons become profoundly destabilized when reconsidered through Cuthand’s prolific pracIce. In their generosity, his video works offer deep insights into the necessarily unfinished business of building, understanding, and negoIaIng one’s own sense of idenIty.”—Vika Kirchenbauer

"Since 1995 Theo Jean Cuthand has produced roughly thirty-five video works, often informed by a queer D.I.Y. tradition, and often departing from the first person. In these works, he frequently positions himself with extensive "I am ..." statements, yet these statements aren't meant to construct a static identity-they hold specific ties with a kind of non - linear time that is in contact with Indigenous ancestry as much as it responds to questions of locality. In regard to intersecting vectors of oppression, it is usually presumed that the various aspects of a person's identity are stable, and that their specific intersections can be analyzed along solid markers of belonging such as class, race, gender, ability, and so forth. These notions become profoundly destabilized when reconsidered through Cuthand's prolific practice. In their generosity, his video works offer deep insights into the necessarily unfinished business of building, understanding, and negotiating one's own sense of identity." - Vika Kirchenbauer


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