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Thinking through Craft
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Thinking through Craft

Book Details

Format Paperback / Softback
ISBN-10 1350092630
ISBN-13 9781350092631
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Visual Arts
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 1st, 2018
Print length 224 Pages
Weight 492 grams
Dimensions 17.20 x 24.20 x 1.50 cms
Ksh 4,700.00
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Co-published in Association with the Victoria and Albert Museum, LondonThis book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today's visual arts, when high ‘production values' are becoming increasingly commonplace. Yet craft's centrality to contemporary art has received little serious attention from critics and historians. Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be 'inferior' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft's role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.

Co-published in Association with the Victoria and Albert Museum, London

This book is a timely and engaging introduction to the way that artists working in all media think about craft. Workmanship is key to today''s visual arts, when high ‘production values'' are becoming increasingly commonplace. Yet craft''s centrality to contemporary art has received little serious attention from critics and historians.

Dispensing with clichéd arguments that craft is art, Adamson persuasively makes a case for defining craft in a more nuanced fashion. The interesting thing about craft, he argues, is that it is perceived to be ''inferior'' to art. The book consists of an overview of various aspects of this second-class identity - supplementarity, sensuality, skill, the pastoral, and the amateur. It also provides historical case studies analysing craft''s role in a variety of disciplines, including architecture, design, contemporary art, and the crafts themselves. Thinking Through Craft will be essential reading for anyone interested in craft or the broader visual arts.


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