Thomas Hardy's Novel Universe : Astronomy, Cosmology, and Gender in the Post-Darwinian World
Book Details
Format
Hardback or Cased Book
Book Series
The Nineteenth Century Series
ISBN-10
0754603369
ISBN-13
9780754603368
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 26th, 2007
Print length
318 Pages
Weight
628 grams
Dimensions
16.20 x 24.20 x 2.20 cms
Product Classification:
Literary studies: c 1800 to c 1900 Literary studies: fiction, novelists & prose writers
Ksh 28,800.00
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Presenting a study of astronomy in Hardy's writing, this work brings the analytical tools of both disciplines, and offers readings of seven novels that enrich Darwinian and feminist perspectives on his work, extends formalist evaluations of his achievement as a writer, and provides fresh interpretations of enigmatic passages and scenes.
In this, the first book-length study of astronomy in Hardy''s writing, historian of science and literary scholar Pamela Gossin brings the analytical tools of both disciplines to bear as she offers unexpected and sophisticated readings of seven novels that enrich Darwinian and feminist perspectives on his work, extend formalist evaluations of his achievement as a writer, and provide fresh interpretations of enigmatic passages and scenes. In an elegantly crafted introduction, Gossin draws together the shared critical values and methods of literary studies and the history of science to articulate a hybrid model of scholarly interpretation and analysis that promotes cross-disciplinary compassion and understanding within the current contention of the science/culture wars. She then situates Hardy''s own deeply interdisciplinary knowledge of astronomy and cosmology within both literary and scientific traditions, from the ancient world through the Victorian era. Gossin offers insightful new assessments of A Pair of Blue Eyes, Far from the Madding Crowd, The Return of the Native, Two on a Tower, The Woodlanders, Tess of the D''Urbervilles, and Jude the Obscure, arguing that Hardy''s personal synthesis of ancient and modern astronomy with mythopoetic and scientific cosmologies enabled him to write as a literary cosmologist for the post-Darwinian world. The profound new myths that comprise Hardy''s novel universe can be read as a sustained set of literary thought-experiments by which he critiques the possibilities, limitations, and dangers of living out the storylines that such imaginative cosmologies project for his time - and ours.
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