To Be Real : Truth and Racial Authenticity in African American Standup Comedy
Book Details
Format
Paperback / Softback
Book Series
OXFORD STUDIES IN LANGUAGE RACE SERIES
ISBN-10
0190870087
ISBN-13
9780190870089
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 21st, 2022
Print length
224 Pages
Weight
326 grams
Dimensions
15.40 x 23.40 x 2.10 cms
Product Classification:
SociolinguisticsCommunication studiesSocial & cultural anthropology, ethnography
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During watershed moments of crisis or incessant hope, African Americans'' varied stances around racial authenticity often bespeak a need to define who and whose they are, if only to contend with the enduring significance of race. In To Be Real: Truth and Racial Authenticity in African American Standup Comedy, Lanita Jacobs analyzes a decade of Black standup comedy to understand "realness" and "real Blackness" as a cultural imperative in African American culture. By consciously valuing a "real"--as opposed to strict notions of "the real" (which too often essentialize, objectify, and exclude)--this book reveals why authenticity matters to African Americans.
To Be Real: Truth and Racial Authenticity in African American Standup Comedy examines Black standup comedy over the past decade as a stage for understanding why notions of racial authenticity--in essence, appeals to "realness" and "real Blackness"--emerge as a cultural imperative in African American culture. Ethnographic observations and interviews with Black comedians ground this telling, providing a narrative arc of key historical moments in the new millennium. Readers will understand how and why African American comics invoke "realness" to qualify nationalist 9/11 discourses and grapple with the racial entailments of the war, overcome a sense of racial despair in the wake of Hurricane Katrina, critique Michael Richards'' ["Kramer''s"] notorious rant at The Laugh Factory and subsequent attempts to censor their use of the n-word, and reconcile the politics of a "real" in their own and other Black folks'' everyday lives. Additionally, readers will hear through audience murmurs, hisses, and boos how beliefs about racial authenticity are intensely class-wrought and fraught. Moreover, they will appreciate how context remains ever critical to when and why African American comics and audiences lobby for and/or lampoon jokes that differentiate the "real" from the "fake" or "Black folks" from so-called "niggahs." Context and racial vulnerability are critical to understanding how and why allusions to "racial authenticity" persist in the African American comedic and cultural imagination.
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