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To Photograph Is to Learn How to Die
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To Photograph Is to Learn How to Die : An Essay with Digressions

Book Details

Format Paperback / Softback
ISBN-10 898573300Y
ISBN-13 9798985733006
Publisher The Ice Plant
Imprint The Ice Plant
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 9th, 2023
Print length 288 Pages
Weight 224 grams
Dimensions 11.90 x 17.10 x 1.70 cms
Product Classification: Individual photographers
Ksh 3,600.00
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A book-length essay about photography’s unique ability to ease the ache of human mortalityDrawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality. Printed in three colors that reflect the various “voices” of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.

A book-length essay about photography’s unique ability to ease the ache of human mortality

Drawing on the writings of Wallace Stevens, Marilynne Robinson and other poets, artists, musicians and thinkers, Brooklyn-based photographer Tim Carpenter (born 1968) argues passionately—in one main essay and a series of lively digressions—that photography is unique among the arts in its capacity for easing the fundamental ache of our mortality; for managing the breach that separates the self from all that is not the self; for enriching one’s sense of freedom and personhood; and for cultivating meaning in an otherwise meaningless reality.
Printed in three colors that reflect the various “voices” of the book, the text design follows several channels of thought, inviting various approaches to reading. A unique and instructive contribution to the literature on photography, Carpenter’s research offers both a timely polemic and a timeless resource for those who use a camera.


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