To Save and to Destroy – Writing as an Other : Writing as an Other
Book Details
Format
Hardback or Cased Book
Book Series
The Charles Eliot Norton Lectures
ISBN-10
0674298179
ISBN-13
9780674298170
Publisher
Harvard University Press
Imprint
Harvard University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 8th, 2025
Print length
144 Pages
Weight
300 grams
Dimensions
21.70 x 14.90 x 1.80 cms
Ksh 4,150.00
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Pulitzer Prize winner Viet Thanh Nguyen’s To Save and to Destroy is a deeply personal reflection on outsiders in literature and in US society. Across six essays, first delivered as the Norton Lectures, Nguyen offers insightful readings of authors who shaped his craft, culminating in a poignant and vigorous call for a solidarity of the devastated.
Shortlisted for the National Book Critics Circle Award in CriticismFrom the Pulitzer Prize–winning author of The Sympathizer comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity. Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans. The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary question: What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial. Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless—or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.
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