Tobias Smollett in the Enlightenment : Travels through France, Italy, and Scotland
Book Details
Format
Hardback or Cased Book
ISBN-10
1611480485
ISBN-13
9781611480481
Publisher
Bucknell University Press
Imprint
Bucknell University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Sep 22nd, 2011
Print length
232 Pages
Weight
486 grams
Dimensions
16.30 x 23.70 x 2.30 cms
Product Classification:
Literary studies: c 1500 to c 1800Literary studies: fiction, novelists & prose writers
Ksh 19,350.00
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Tobias Smollett (1721-71) is best known today as a novelist whereas in the eighteenth century he was primarily regarded as a historian and critic. In Tobias Smollett in the Enlightenment, Richard J. Jones explores the diversity of Smollett's journalistic and literary writings and establishes new connections between Smollett's work and writers of the Scottish Enlightenment. Taking as his focal point Smollett's visit to Nice, between 1763 and 1765, and the account he wrote of it in Travels through France and Italy (1766), Jones argues that Smollett's account should be read as a "pocket encyclopedia" in the tradition of Voltaire, rather than as a conventional "travel narrative." Discussing Smollett's engagement with medicine, fine art, the theater and history, Jones offers a productive juxtaposition of authors, texts and contexts, presenting Smollett as a writer whose Scottish (and particularly Glaswegian) identity informed his involvement in a wider European Enlightenment.
Tobias Smollett (1721-71) is best known today as a novelist whereas in the eighteenth century he was primarily regarded as a historian and critic. In Tobias Smollett in the Enlightenment, Richard J. Jones explores the diversity of Smollett''s journalistic and literary writings and establishes new connections between Smollett''s work and writers of the Scottish Enlightenment. Taking as his focal point Smollett''s visit to Nice, between 1763 and 1765, and the account he wrote of it in Travels through France and Italy (1766), Jones argues that Smollett''s account should be read as a "pocket encyclopedia" in the tradition of Voltaire, rather than as a conventional "travel narrative." Discussing Smollett''s engagement with medicine, fine art, the theater and history, Jones offers a productive juxtaposition of authors, texts and contexts, presenting Smollett as a writer whose Scottish (and particularly Glaswegian) identity informed his involvement in a wider European Enlightenment.
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