Tong Yang-Tze
by
Eileen Chow
Book Details
Format
Hardback or Cased Book
ISBN-10
8891844217
ISBN-13
9788891844217
Publisher
Mondadori Electa
Imprint
Mondadori Electa
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 27th, 2026
Print length
272 Pages
Product Classification:
Individual artists, art monographsCalligraphy and hand-letteringLettering & calligraphy
Ksh 12,250.00
Not Yet Published
0 in stock
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The first comprehensive exploration of Taiwanese artist Tong Yang-Tze's five-decade career in Chinese calligraphy-arguably the only woman with this distinction.
The first comprehensive exploration of Taiwanese artist Tong Yang-Tze’s five-decade career in Chinese calligraphy—arguably the only woman with this distinction.
As one of the most celebrated contemporary artists working exclusively in the art of writing, Tong Yang-Tze (b. 1942) pushes the boundaries of this traditional art form by creating monumental works that bring the Chinese script into three-dimensional space while integrating painterly strategies and preserving the essence of calligraphy.
This first-ever monograph not only documents Tong’s significant contributions to the field for over fifty years, but serves as a valuable resource for understanding Chinese calligraphy as a living, evolving art form. Featuring over eighty color plates, newly commissioned essays, an anthology of critical reviews, and an illustrated chronology, the volume showcases Tong’s unique achievements in bridging classical Chinese art and literature with contemporary modes of expression, and challenging perceptions of the art of writing in the modern world.
As one of the most celebrated contemporary artists working exclusively in the art of writing, Tong Yang-Tze (b. 1942) pushes the boundaries of this traditional art form by creating monumental works that bring the Chinese script into three-dimensional space while integrating painterly strategies and preserving the essence of calligraphy.
This first-ever monograph not only documents Tong’s significant contributions to the field for over fifty years, but serves as a valuable resource for understanding Chinese calligraphy as a living, evolving art form. Featuring over eighty color plates, newly commissioned essays, an anthology of critical reviews, and an illustrated chronology, the volume showcases Tong’s unique achievements in bridging classical Chinese art and literature with contemporary modes of expression, and challenging perceptions of the art of writing in the modern world.
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