Tony Smith Catalogue Raisonne : Volume 1: Sculpture
Book Details
Format
Hardback or Cased Book
ISBN-10
0262049120
ISBN-13
9780262049122
Publisher
MIT Press Ltd
Imprint
MIT Press
Country of Manufacture
BE
Country of Publication
GB
Publication Date
Oct 8th, 2024
Print length
552 Pages
Weight
2,584 grams
Dimensions
23.00 x 37.50 x 4.60 cms
Product Classification:
The arts: general issues
Ksh 39,250.00
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Documenting the extraordinary breadth of sculptural production by American artist Tony Smith (1912 1980), this comprehensive book reveals the depth and complexity of Smith s oeuvre as well as the vast range of his intellectual pursuits.
Documenting the extraordinary breadth of sculptural production by American artist Tony Smith (19121980), this comprehensive book reveals the depth and complexity of Smiths oeuvre as well as the vast range of his intellectual pursuits.
Tony Smith Catalogue Raisonné: Sculpture, with more than 500 full-color illustrations, is the first in a multi-publication project to reveal the depth and complexity of Smiths oeuvre while positioning its transdisciplinary nature in dialogue with contemporary voices. Often made of steel and painted black, Smiths large-scale sculptures demonstrate a committed experimentation in how geometric shapes can be modeled into holistic sculptural compositions. The ever-shifting qualities of his imposing works engage spectators in phenomenological experiences that continually change in relation to motion, position, sightline, and perspective, amid a panoply of shapes that generate and regenerate anew with each incremental shift in viewpoint.
Born in South Orange, New Jersey, Tony Smith (19121980) occupies an important place in the history of twentieth-century art and design. His intellectual and creative pursuits, encompassing sculpture, architecture, drawing, painting, and writing, were informed by his close study of biology, mathematics, philosophy, and literature, blending the improvisational with the analytical. His artistic process was both intellectual and instinctual relying upon rational structures inherent in polygonal forms, complemented by creative intuition, to shape his visions into what may be considered irrational objectssculptures.
This volume serves as a comprehensive record of Smiths sculpture, providing an archival foundation for future study, interpretation, and analysis. A companion book, Against Reason: Tony Smith, Sculpture, and Other Modernisms, is published alongside to explore the ongoing vitality of Tony Smith, with newly commissioned essays and artist projects by practitioners working in a range of visual arts. These books will, for the first time, capture the depth, influence, and diversity of Smiths understudied oeuvre, establishing new ground for future interpretations and readings of his monumental work.
Tony Smith Catalogue Raisonné: Sculpture, with more than 500 full-color illustrations, is the first in a multi-publication project to reveal the depth and complexity of Smiths oeuvre while positioning its transdisciplinary nature in dialogue with contemporary voices. Often made of steel and painted black, Smiths large-scale sculptures demonstrate a committed experimentation in how geometric shapes can be modeled into holistic sculptural compositions. The ever-shifting qualities of his imposing works engage spectators in phenomenological experiences that continually change in relation to motion, position, sightline, and perspective, amid a panoply of shapes that generate and regenerate anew with each incremental shift in viewpoint.
Born in South Orange, New Jersey, Tony Smith (19121980) occupies an important place in the history of twentieth-century art and design. His intellectual and creative pursuits, encompassing sculpture, architecture, drawing, painting, and writing, were informed by his close study of biology, mathematics, philosophy, and literature, blending the improvisational with the analytical. His artistic process was both intellectual and instinctual relying upon rational structures inherent in polygonal forms, complemented by creative intuition, to shape his visions into what may be considered irrational objectssculptures.
This volume serves as a comprehensive record of Smiths sculpture, providing an archival foundation for future study, interpretation, and analysis. A companion book, Against Reason: Tony Smith, Sculpture, and Other Modernisms, is published alongside to explore the ongoing vitality of Tony Smith, with newly commissioned essays and artist projects by practitioners working in a range of visual arts. These books will, for the first time, capture the depth, influence, and diversity of Smiths understudied oeuvre, establishing new ground for future interpretations and readings of his monumental work.
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