Topographies of "Borderland Schengen"
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Analysing recent documentary films dealing with undocumented migration at the Schengen Area''s fringes and against the backdrop of what has been termed the `European refugee crisis'', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen'' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal'' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.
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