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Traces : A Memoir

Book Details

Format Paperback / Softback
ISBN-10 9774169530
ISBN-13 9789774169533
Publisher The American University in Cairo Press
Imprint The American University in Cairo Press
Country of Manufacture EG
Country of Publication GB
Publication Date Apr 10th, 2020
Print length 278 Pages
Weight 384 grams
Dimensions 22.10 x 22.80 x 1.90 cms
Product Classification: Autobiography: literaryMemoirs
Ksh 3,900.00
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One of Egypt''s greatest contemporary writers reflects on life and love


This haunting memoir, written ten years before al-Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself.

These fragments are summoned from across the span of a singular lifetime. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. Vivid passages capture fleeting glances of strangers through car windows, flavors and scents of delicacies savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as chance conversations at points of transit, in cafés, on elegant streets, and with unnamed paramours.

These memories, and al-Ghitani’s musings on memory’s own finitude and mutability, make Traces both a memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.

One of Egypt’s greatest contemporary writers, Gamal al-Ghitani (1945–2015) was born into a family of modest means in the Egyptian countryside. He trained as a carpet maker before turning his attention to writing, publishing over a dozen novels and several collections of short stories. This haunting memoir, one of seven autobiographical "notebooks" written before Ghitani’s death, weaves together a series of vignettes in a style that mimics the uneven, discontinuous nature of memory itself. These fragments, or traces, are summoned from across the span of a singular lifetime, from Ghitani’s rural birthplace in Upper Egypt to Cairo, to the Arab world and beyond. We read of his childhood adventures, his erotic awakenings, his time as a political prisoner, and his reports from the battlefront in Iraq and the corridors of power in Syria. There are vivid passages that capture fleeting glances of strangers through car windows, flavors and scents of delicacies he still savored, dreams and sorrows of neighbors in the apartment blocks of Cairo before Nasser, as well as recollections of chance conversations at points of transit, in cafés and on elegant streets, and trysts with unnamed paramours. These memories, and Ghitani’s musings on memory’s own finitude and mutability, make Traces both memoir and a meditation on memory itself, in all its inscrutable workings and inevitable betrayals.

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