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Transfigurations
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Transfigurations : Collected Poems

Book Details

Format Paperback / Softback
ISBN-10 0807126306
ISBN-13 9780807126301
Publisher Louisiana State University Press
Imprint Louisiana State University Press
Country of Manufacture US
Country of Publication GB
Publication Date Nov 1st, 2000
Print length 640 Pages
Weight 900 grams
Dimensions 23.00 x 15.20 x 4.40 cms
Ksh 7,200.00
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This volume contains Jay Wright's previously published collections of poetry, including "The Homecoming Singer" and "Transformations". It reveals the consistency of his theme - the spiritual or intellectual quest for personal development in the African American past and present.

Few poets have as much to tell us about the intricate relationship between the African American past and present as Jay Wright. His poems weave a rich fabric of personal history using diverse materials drawn from African, Native American, and European sources. Scholarly, historical, intuitive, and emotional, his work explores territories in which rituals of psychological and spiritual individuation find a new synthesis in the construction of cultural values. Never an ideologue but always a poet of vision, his imagination shows us a way to rejoice and strengthen ourselves in our common humanity.
Here, together for the first time, are Wright's previously published collections -- The Homecoming Singer (1971), Soothsayers and Omens (1976), Explications/Interpretations (1984), Dimensions of History (1976), The Double Invention of Komo (1980), Elaine's Book (1988), and Boleros (1991) -- along with the new poems of Transformations (1997). By presenting Wright's work as a whole, this collection reveals the powerful consistency of his theme -- a spiritual or intellectual quest for personal development -- as each book builds solidly upon the previous one.
Wright examines history from a multicultural perspective, attempting to conquer a sense of exclusion -- from society and his own cultural identity -- and find solace and accord by linking American society to African traditions. He believes that a poem must articulate the vital rhythms of the culture it depicts and is dedicated to a pursuit of poetic forms that embody the cadence of African American culture.


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