Uelsmann Untitled : A Retrospective
Book Details
Format
Hardback or Cased Book
ISBN-10
0813049490
ISBN-13
9780813049496
Publisher
University Press of Florida
Imprint
University Press of Florida
Country of Manufacture
US
Country of Publication
GB
Publication Date
Apr 8th, 2014
Print length
248 Pages
Weight
1,718 grams
Dimensions
25.30 x 27.50 x 3.00 cms
Product Classification:
Individual artists, art monographs
Ksh 8,500.00
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Armed with a scanner and a laptop, many artists create composite photographic images in just a few hours using Adobe Photoshop. But the acknowledged pioneer and master innovator of photomontage is Jerry Uelsmann.
For more than fifty years, Uelsmann has relied exclusively on analog tools, crafting images by integrating multiple negatives and processing effects. His explorations of ""the alchemy of the darkroom"" have resulted in a unique, transformational style that continues to influence, inspire, and fascinate artists, photographers, and museum audiences across the world.
Uelsmann's work defies easy interpretation even as it engages the imagination. This retrospective features the largest number of Uelsmann images ever collected in a single volume, and some never-before reproduced. Drawn from his entire career, they show both the evolution of his technique and the solidity of his vision. An accompanying essay by Carol McCusker, curator of photography at the Samuel P. Harn Museum of Art, provides historical and biographical context and discusses Uelsmann’s formative experiences and his coming of age as a photographer.
For more than fifty years, Uelsmann has relied exclusively on analog tools, crafting images by integrating multiple negatives and processing effects. His explorations of ""the alchemy of the darkroom"" have resulted in a unique, transformational style that continues to influence, inspire, and fascinate artists, photographers, and museum audiences across the world.
Uelsmann's work defies easy interpretation even as it engages the imagination. This retrospective features the largest number of Uelsmann images ever collected in a single volume, and some never-before reproduced. Drawn from his entire career, they show both the evolution of his technique and the solidity of his vision. An accompanying essay by Carol McCusker, curator of photography at the Samuel P. Harn Museum of Art, provides historical and biographical context and discusses Uelsmann’s formative experiences and his coming of age as a photographer.
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