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Unfolding the Past
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Unfolding the Past

Book Details

Format Hardback or Cased Book
ISBN-10 1350232599
ISBN-13 9781350232594
Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Visual Arts
Country of Manufacture IN
Country of Publication GB
Publication Date May 5th, 2022
Print length 296 Pages
Weight 528 grams
Dimensions 14.70 x 22.20 x 2.70 cms
Ksh 4,850.00
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"Fascinating." Perspective “A fascinating, often funny, and eminently stylish personal memoir … I loved it.” - Chris Breward, author of The Suit“Wide-ranging, thought-provoking and important.” - Claire Wilcox, author of Patch WorkElizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, ‘bohemians’ and of course fashion – her obsession – along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from ‘real life’. In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her – and our – cultural world.

"Fascinating." Perspective

“A fascinating, often funny, and eminently stylish personal memoir … I loved it.” -
Chris Breward, author of The Suit

“Wide-ranging, thought-provoking and important.” - Claire Wilcox, author of Patch Work


Elizabeth Wilson is a pioneer of fashion studies, yet she never intended to become an academic. Starting her literary career as a feminist activist writing for the underground press, she went on to explore tennis, ‘bohemians’ and of course fashion – her obsession – along with forays into fiction. Throughout, she has never seen her work as abstract or disengaged from ‘real life’.

In her memoir, she traces this relationship between personal experience and her writing, revisiting pivotal moments from childhood, adolescence and adult life to explore her belief that research, by its nature, is always a form of autobiography. She unfolds the garment of her life in a wide-ranging exploration of scenes from her past: her difficult relationship with her mother, fashion in the 60s and gay liberation. In this journey through time she shows how experiences are inseparable from the way we seek to explain and understand them, offering a unique and deeply personal account of her – and our – cultural world.


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