Unperfect Histories : The Mirror for Magistrates, 1559-1610
Book Details
Format
Hardback or Cased Book
Book Series
Oxford English Monographs
ISBN-10
0198806175
ISBN-13
9780198806172
Publisher
Oxford University Press
Imprint
Oxford University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 26th, 2017
Print length
216 Pages
Weight
402 grams
Dimensions
14.60 x 22.30 x 2.20 cms
Product Classification:
Literary studies: c 1500 to c 1800Literary studies: poetry & poets
Ksh 19,200.00
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A detailed exploration of a significant work of Tudor literature, The Mirror for Magistrates. The volume shows how the text is more than a moralistic collection of poems and how it is concerned with the transmission of national history, and the ways in which the past can be distorted, misremembered, misinterpreted, or lost.
The Mirror for Magistrates, the collection of de casibus complaint poems in the voices of medieval rulers and rebels compiled by William Baldwin in the 1550s, was central to the development of imaginative literature in the sixteenth and early seventeenth centuries. Additions by John Higgins, Thomas Blenerhasset, and Richard Niccols between 1574 and 1610 extended the Mirror''s scope, shifted its focus, and prolonged its popularity; in particular, the texts'' later manifestations profoundly influenced the work of Spenser and Shakespeare. Unperfect Histories is the first monograph to consider the text''s early modern transmission history as a whole. In chapters on Baldwin, Higgins, Blenerhasset, and Niccols''s complaint collections, it demonstrates that the Mirror is an invaluable witness to how verse history was conceptualized, written, and read across the period, and explores the ways in which it was repeatedly reinterpreted and redeployed in response to changing contemporary concerns. The Mirror corpus encompasses topical allegory, nationalist polemic, and historiographical skepticism, as well as the macabre humour and metatextual play which have come to be known as hallmarks of Baldwin''s mid-Tudor writings. What has not been recognised is the complex interaction of these themes and techniques right across the Mirror''s history. Higgins, Blenerhasset, and Niccols''s contributions are analysed for the first time here, both within their own literary and historiographical contexts, and in dialogue with Baldwin''s early editions. This new reading offers a lively account of the texts'' depth and variety, and provides insight into the extent of the Mirror''s influence and ubiquity in early modern literary culture.
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