Unsaying God : Negative Theology in Medieval Islam
by
Aydogan Kars
Book Details
Format
Hardback or Cased Book
Book Series
AAR Academy Series
ISBN-10
0190942452
ISBN-13
9780190942458
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jun 13th, 2019
Print length
360 Pages
Weight
678 grams
Dimensions
18.90 x 24.20 x 3.00 cms
Product Classification:
IslamIslamic theologySufism & Islamic mysticism
Ksh 22,850.00
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Focusing on the first seven centuries of the Islamic intellectual history, Unsaying God examines the ways in which Muslim, and some Jewish, scholars negated what they said about God in order to indicate the limits of human thought on the absolute. Ardogan Kars argue that contemporary studies on apophasis and negative theology in Islam are strongly motivated by the challenges and demands of modernity, and tend to preserve European universalism in the language of pluralism.
What cannot be said about God, and how can we speak about God by negating what we say? Traveling across prominent negators, denialists, ineffectualists, paradoxographers, naysayers, ignorance-pretenders, unknowers, I-don''t-knowers, and taciturns, Unsaying God: Negative Theology in Medieval Islam delves into the negative theological movements that flourished in the first seven centuries of Islam.Aydogan Kars argues that there were multiple, and often competing, strategies for self-negating speech in the vast field of theology. By focusing on Arabic and Persian textual sources, the book defines four distinct yet interconnected paths of negative speech formations on the nature of God that circulated in medieval Islamic world. Expanding its scope to Jewish intellectuals, Unsaying God also demonstrates that religious boundaries were easily transgressed as scholars from diverse sectarian or religious backgrounds could adopt similar paths of negative speech on God.This is the first book-length study of negative theology in Islam. It encompasses many fields of scholarship, and diverse intellectual schools and figures. Throughout, Kars demonstrates how seemingly different genres should be read in a more connected way in light of the cultural and intellectual history of Islam rather than as different opposing sets of orthodoxies and heterodoxies.
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