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Variations on the Ethics of Mourning in Modern Literature in French
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Variations on the Ethics of Mourning in Modern Literature in French

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Book Details

Format Paperback / Softback
ISBN-10 1789972736
ISBN-13 9781789972733
Edition New
Publisher Peter Lang International Academic Publishers
Imprint Peter Lang International Academic Publishers
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 9th, 2021
Print length 316 Pages
Weight 486 grams
Dimensions 15.30 x 22.90 x 2.30 cms
Product Classification: Literature: history & criticism
Ksh 8,400.00
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How does modern writing in French grapple with the present absence and absent presence of lost loved ones? This book explores the question from the Revolution to the COVID pandemic, showing how mourning blurs the boundaries between the personal and the historical, the aesthetic and the ethical.

«From Freud and psychoanalysis to Derrida and philosophy, the question of mourning has been central to a whole strain of modern thought, especially in France. This fascinating and illuminating collection of essays explores the question in a wide range of intellectual and literary settings, from the French Revolution down through the nineteenth and twentieth centuries. It is a tour de force.» (Christopher Prendergast FBA, King’s College, Cambridge)

«This volume compellingly explores the intersection of ethics and aesthetics, showing how literature can enrich our sense of the complexity of mourning, grief and loss. It provides a significant contribution to scholarship on mourning, understood as a never-ending process of relationality.» (Hanna Meretoja, University of Turku, Finland)

How does modern writing in French grapple with the present absence and absent presence of lost loved ones? How might it challenge and critique the relegation of certain deaths to the realm of the unmournable? What might this reveal about the role of the literary in the French and francophone world and shifting conceptions of the nation-state? Essays on texts from the Revolution to the present day explore these questions from a variety of perspectives, bringing out the ways in which mourning contests the boundaries between the personal and the historical, the aesthetic and the ethical, the self and the other, and ultimately reasserting its truly critical resonance.


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