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Vincenzo Bellini on Stage and Screen, 1935-2020
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Vincenzo Bellini on Stage and Screen, 1935-2020

Book Details

Format Hardback or Cased Book
ISBN-10 1501391194
ISBN-13 9781501391194
Publisher Bloomsbury Publishing Plc
Imprint Bloomsbury Academic USA
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 28th, 2024
Print length 248 Pages
Weight 500 grams
Dimensions 23.00 x 15.80 x 2.00 cms
Ksh 17,500.00
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Vincenzo Bellini on Stage and Screen, 1935–2020 offers nine case studies of the history of Vincenzo Bellini’s operas on stage, on screen, and in sound, video and performance art. This investigation begins in 1935, the hundredth anniversary of the composer’s death and the year when his first biopic was released, and ends in 2020, when performance artist Marina Abramovic’s ‘opera project’ 7 Deaths of Maria Callas, whose final scene is accompanied by Bellini’s famous aria ‘Casta Diva,’ was premiered. In Part One, several recent productions of La sonnambula, Norma and I Puritani are discussed from different perspectives, but the common focus is on the possible meanings of these works for contemporary spectators. Part Two, centered on cinema, includes chapters on biopics of Bellini that make extensive use of his music, as well as on the presence of this music in soundtracks of films from the last half century. Part Three turns to other media or mixtures of stage and screen, and focuses on Bellini in sound and video art of the last few decades, on YouTube and its fandom, and on 7 Deaths of Maria Callas. The volume offers an expansive view of the many ways in which Bellini’s operas have been visualized and conceptualized over the past century, and of what they may have meant, and may still mean, for twentieth- and twenty-first-century culture.

Vincenzo Bellini on Stage and Screen, 1935–2020 offers nine case studies of the history of Vincenzo Bellini''s operas on stage, on screen, and in sound, video and performance art. This investigation begins in 1935, the hundredth anniversary of the composer''s death and the year when his first biopic was released, and ends in 2020, when performance artist Marina Abramovic''s ''opera project'' 7 Deaths of Maria Callas, whose final scene is accompanied by Bellini''s famous aria ''Casta Diva,'' was premiered.

In Part One, several recent productions of La sonnambula, Norma and I Puritani are discussed from different perspectives, but the common focus is on the possible meanings of these works for contemporary spectators. Part Two, centered on cinema, includes chapters on biopics of Bellini that make extensive use of his music, as well as on the presence of this music in soundtracks of films from the last half century. Part Three turns to other media or mixtures of stage and screen, and focuses on Bellini in sound and video art of the last few decades, on YouTube and its fandom, and on 7 Deaths of Maria Callas.

The volume offers an expansive view of the many ways in which Bellini''s operas have been visualized and conceptualized over the past century, and of what they may have meant, and may still mean, for twentieth- and twenty-first-century culture.


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