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Visual Cultures of Foundling Care in Renaissance Italy
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Visual Cultures of Foundling Care in Renaissance Italy

Book Details

Format Paperback / Softback
ISBN-10 1138316172
ISBN-13 9781138316171
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 20th, 2018
Print length 284 Pages
Weight 534 grams
Dimensions 20.40 x 24.50 x 2.60 cms
Product Classification: The arts: general issuesRenaissance art
Ksh 9,050.00
Werezi Extended Catalogue 0 in stock

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The first to consider the visual culture of foundling hospitals in Renaissance Italy, this book focuses on four institutions in central Italy that possess significant surviving visual and archival material. This study draws on a range of fields and examines a wide variety of visual forms -including book illumination, altarpieces, fresco cycles, institutional insignia, processional standards, prints, and reliquaries - to elucidate the pivotal role played by visual culture in framing and promoting the charitable succor of foundlings.
The social problem of infant abandonment captured the public’s imagination in Italy during the fifteenth century, a critical period of innovation and development in charitable discourses. As charity toward foundlings became a political priority, the patrons and supporters of foundling hospitals turned to visual culture to help them make their charitable work understandable to a wide audience. Focusing on four institutions in central Italy that possess significant surviving visual and archival material, Visual Cultures of Foundling Care in Renaissance Italy examines the discursive processes through which foundling care was identified, conceptualized, and promoted. The first book to consider the visual culture of foundling hospitals in Renaissance Italy, this study looks beyond the textual evidence to demonstrate that the institutional identities of foundling hospitals were articulated by means of a wide variety of visual forms, including book illumination, altarpieces, fresco cycles, institutional insignia, processional standards, prints, and reliquaries. The author draws on fields as diverse as art history, childhood studies, the history of charity, Renaissance studies, gender studies, sociology, and the history of religion to elucidate the pivotal role played by visual culture in framing and promoting the charitable succor of foundlings.

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