Visual Metaphor and Embodiment in Graphic Illness Narratives
Book Details
Format
Hardback or Cased Book
ISBN-10
0190678178
ISBN-13
9780190678173
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Feb 21st, 2019
Print length
240 Pages
Weight
488 grams
Dimensions
16.50 x 24.20 x 1.80 cms
Product Classification:
SociolinguisticsPsycholinguistics
Ksh 15,650.00
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Conceptual Metaphor Theory (CMT) claims that humans use their own bodies as a source of creativity for metaphors. Elisabeth El Refaie explores how metaphors change according to our body''s alteration through diseases like cancer. Using an analysis of visual metaphor in thirty-five graphic illness narratives, she re-examines embodiment in traditional Conceptual Metaphor Theory (CMT) and proposes the notion of "dynamic embodiment."
Metaphors help us understand abstract concepts, emotions, and social relations through the concrete experience of our own bodies. Conceptual Metaphor Theory (CMT), which dominates the field of contemporary metaphor studies, is centered on this claim. According to this theory, correlations in the way the world is perceived in early childhood (e.g., happy/good is up, understanding is seeing) persist in our conceptual system, influencing our thoughts throughout life at a mostly unconscious level.What happens, though, when ordinary embodied experience is disrupted by illness? In this book, Elisabeth El Refaie explores how metaphors change according to our body''s alteration due to disease. She analyzes visual metaphor in thirty-five graphic illness narratives (book-length stories about disease in the comics medium), re-examining embodiment in traditional CMT and proposing the notion of "dynamic embodiment." Building on recent strands of research within CMT and engaging relevant concepts from phenomenology, psychology, semiotics, and media studies, El Refaie demonstrates how the experience of our own bodies is constantly adjusting to changes in our individual states of health, socio-cultural practices, and the modes and media by which we communicate. This fundamentally interdisciplinary work also proposes a novel classification system of visual metaphor, based on a three-way distinction between pictorial, spatial, and stylistic metaphors. This approach will enable readers to advance knowledge and understanding of phenomena involved in shaping our everyday thoughts, interactions, and behavior.
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