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Wallace Berman: Off the Grid
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Wallace Berman: Off the Grid

Book Details

Format Hardback or Cased Book
ISBN-10 1734304561
ISBN-13 9781734304565
Publisher Totah LLC
Imprint Totah LLC
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 12th, 2024
Print length 152 Pages
Weight 1,094 grams
Dimensions 24.30 x 30.10 x 2.30 cms
Ksh 9,900.00
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Over 45 works from the California art legend Wallace Berman, including selections from his rare short film AlephWallace Berman (1926–76) was a notorious guru of the 1960s art pantheon. Often cited as a West Coast Beat Generation artist who rubbed elbows with the likes of Allen Ginsberg, Dennis Hopper and the Rolling Stones, his contributions transcend the comparisons of his aesthetic and the associations that he kept. A self-taught artist, Berman was influenced by Surrealism, Dadaism and the Kabbalah, as well as jazz music and the mystical symbols and popular imagery of his time. Berman is best known for his signature motif, which comes from a reappropriated Sony advertisement picturing a hand holding a transistor radio, which he found in 1964. By removing the speaker grill and inserting random appropriated images, the hand shuffles up messages that appear to spring out of the ether. His early use of the gridding technique creates a visual cacophony that barrages the senses. Off the Grid follows the eponymous 2021 show at TOTAH, a rare East Coast exhibition of Berman’s work, which included a screening of his rare short film Aleph (1956-66), followed by a discussion between Tosh Berman (Wallace Berman’s son) and Andrew Lampert, moderated by poet Anne Waldman. A partial transcript of this conversation is included in the publication.

Over 45 works from the California art legend Wallace Berman, including selections from his rare short film Aleph

Wallace Berman (1926–76) was a notorious guru of the 1960s art pantheon. Often cited as a West Coast Beat Generation artist who rubbed elbows with the likes of Allen Ginsberg, Dennis Hopper and the Rolling Stones, his contributions transcend the comparisons of his aesthetic and the associations that he kept. A self-taught artist, Berman was influenced by Surrealism, Dadaism and the Kabbalah, as well as jazz music and the mystical symbols and popular imagery of his time.
Berman is best known for his signature motif, which comes from a reappropriated Sony advertisement picturing a hand holding a transistor radio, which he found in 1964. By removing the speaker grill and inserting random appropriated images, the hand shuffles up messages that appear to spring out of the ether. His early use of the gridding technique creates a visual cacophony that barrages the senses.
Off the Grid follows the eponymous 2021 show at TOTAH, a rare East Coast exhibition of Berman’s work, which included a screening of his rare short film Aleph (1956-66), followed by a discussion between Tosh Berman (Wallace Berman’s son) and Andrew Lampert, moderated by poet Anne Waldman. A partial transcript of this conversation is included in the publication.


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