Watching Jazz : Encounters with Jazz Performance on Screen
Book Details
Format
Hardback or Cased Book
ISBN-10
0199347654
ISBN-13
9780199347650
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jun 23rd, 2016
Print length
312 Pages
Weight
598 grams
Dimensions
16.00 x 23.90 x 2.30 cms
Product Classification:
Films, cinemaTelevisionJazzMedia studies
Ksh 23,100.00
Manufactured on Demand
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Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media, covering its role across a plethora of technologies from film and television to recent developments in online media, and featuring the music of such legends as Duke Ellington, Miles Davis, John Coltrane and Pat Metheny.
Watching Jazz: Encounters with Jazz Performance on Screen is the first systematic study of jazz on screen media. Where earlier studies have focused almost entirely on the role and portrayal of jazz in Hollywood film, the present book engages with a plethora of technologies and media from early film and soundies through television to recent developments in digital technologies and online media. Likewise, the authors discuss jazz in the widest sense, ranging from Duke Ellington and Jimmy Dorsey through the likes of Dizzy Gillespie, Art Blakey, Oscar Peterson, Miles Davis, John Coltrane and Charles Mingus to Pat Metheny. Much of this rich and fascinating material has never been studied in depth before, and what emerges most clearly are the manifold connections between the music and the media on which it was and is being recorded. Its long association with film and television has left its trace in jazz, just as online and social media are subtly shaping it now. Vice versa, visual media have always benefited from focusing on music and this significantly affected their development. The book follows these interrelations, showing how jazz was presented and represented on screen and what this tells us about the music, the people who made it and their audiences. The result is a new approach to jazz and the media, which will be required reading for students of both fields.
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