What Has Left Since We Left
Book Details
Format
Paperback / Softback
ISBN-10
9493148300
ISBN-13
9789493148307
Publisher
Onomatopee
Imprint
Onomatopee
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 30th, 2020
Print length
112 Pages
Weight
218 grams
Dimensions
14.60 x 23.40 x 1.10 cms
Product Classification:
European history
Ksh 3,250.00
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“What has left since we left” articulates the fictional end of Europe with the language of love and separation. Likening the political bonds that tie together European countries to the fluctuations of romance and desire, the book unpacks the complexities of the European relationship by touching on ideas of identity, collapse, migration, conflict and hope. The book features contributions by Ay?e Zarakol, Marwan Moujaes, Federico Lodoli, Marina Lalovic and Erica Petrillo. Together, these texts complement and expand on the script for the film “What has left since we left” - directed by Giulio Squillacciotti and written with Daan Milius and Huib Haye van der Werf - which fictionalises the current European dystopia by re-enacting and problematizing the rituals of kinship and relational struggles. Backstage images and film stills from this production, along with a European timeline from World War II up until Brexit compiled by Enrico De Gasperis, provide a specific overview to the entire project.
“What has left since we left” articulates the fictional end of Europe with the language of love and separation. Likening the political bonds that tie together European countries to the fluctuations of romance and desire, the book unpacks the complexities of the European relationship by touching on ideas of identity, collapse, migration, conflict and hope. The book features contributions by Ay?e Zarakol, Marwan Moujaes, Federico Lodoli, Marina Lalovic and Erica Petrillo. Together, these texts complement and expand on the script for the film “What has left since we left” - directed by Giulio Squillacciotti and written with Daan Milius and Huib Haye van der Werf - which fictionalises the current European dystopia by re-enacting and problematizing the rituals of kinship and relational struggles. Backstage images and film stills from this production, along with a European timeline from World War II up until Brexit compiled by Enrico De Gasperis, provide a specific overview to the entire project.
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