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What have you done to our ears to make us hear echoes?
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What have you done to our ears to make us hear echoes?

Book Details

Format Paperback / Softback
ISBN-10 1571314407
ISBN-13 9781571314406
Publisher Milkweed Editions
Imprint Milkweed Editions
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 1st, 2011
Print length 96 Pages
Weight 170 grams
Product Classification: Poetry by individual poets
Ksh 2,150.00
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In her stunning debut poetry collection, What have you done to our ears to make us hear echoes?, Arlene Kim confronts the ways in which language mythologizes memory and, thus, exiles us from our own true histories. Juxtaposing formal choices and dreamlike details, Kim explores the entangled myths that accompany the experience of immigration--the abandoned country known only through stories, the new country into which the immigrant family must wander ever deeper, and the numerous points where these narratives intertwine. Sharing ground with Randall Jarrell's later poems, and drawing on a dizzying array of sources--including Grimm's Fairy Tales, Korean folklore, Turkish proverbs, Paul Celan, Anna Akhmatova, Antonin Dvorak's letters, and the numerous fictions we script across the inscrutabilities of the natural world--Kim reveals how a homesickness for the self is universal. It is this persistent and incurable longing that drives us as we make our way through the dark woods of our lives, following what might or might not be a trail of breadcrumbs, discovering, finally, that "we are the only path."

WINNER OF THE AMERICAN BOOK AWARD

In her stunning debut poetry collection, What have you done to our ears to make us hear echoes?, Arlene Kim confronts the ways in which language mythologizes memory and thus exiles us from our own true histories. Juxtaposing formal choices and dreamlike details, Kim explores the entangled myths that accompany the experience of immigration—the abandoned country known only through stories, the new country into which the immigrant family must wander ever deeper, and the forked paths where these narratives meet and diverge.

Sharing ground with Randall Jarrell’s later poems, and drawing on a dizzying array of sources—including Grimm’s Fairy Tales, Korean folklore, Turkish proverbs, Paul Celan, Anna Akhmatova, Antonin Dvorak’s letters, and the numerous fictions we script across the inscrutabilities of the natural world—Kim reveals how a homesickness for the self is universal. It is this persistent and incurable longing that drives us as we make our way through the dark woods of our lives, following what might or might not be a trail of breadcrumbs, discovering, finally, that “we are the only path.”


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